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Letters

Blog Hogs

Dear Editors,

If the linked pieces that comprise “The Intellectual Situation” are polemical, they are generally justified in being so. And what better object for skepticism than the transformation of consciousness and culture we are undergoing as citizens of the Age of Infotainment? Even the stern shade of Adorno would approve of “Whatever Minutes,” which observes that silence, that hard-won legacy of literate civilization, has begun to disappear. (No doubt some enterprising corporation will soon be marketing “silence spas”—selling back to us what we once had for free.)

But n+1’s theoretical commitments lead it astray when it turns its gaze to the weblog. “The Blog Reflex” suggests that reflexive antagonism and an imperative for speed have ruined, for good and all, the much-hyped democratic potential of the blog:

Yet criticism as an art didn’t survive. People might have used their blogs to post the best they could think or say. They could have posted 5,000-word critiques of their favorite books and records. . . . But those things didn’t happen, at least not often enough. . . . The language is supposed to mimic the way people speak on the street or the college quad, the phatic emotive growl and purr of exhibitionistic consumer satifsfaction—“The Divine Comedy is SOOO GOOOD!”—or displeasure —“I shit on Dante!” So man hands on information to man.

Not least among my disappointments with this premature obituary is that it is, in many small ways, accurate. Anyone looking for an Ebert-style thumbs-up or thumbs-down on Dante will be sure to find one on the internet. Google will even tell you how long the search took.

And yet, depending on one’s degree of fatalism about world history, the medium may not doom the message. Your essayist’s rhetorical excesses proceed from stovepiped intelligence. He or she assumes that “I shit on Dante” is the alpha and omega of lit-blog discourse. But just as the lazy researcher can Google up coprophiliac reductions of il divino poeta, he can also easily find the sorts of long essays n+1 values. Indeed, online response to “The Blog Reflex,” ranging from highbrow to low-blow, has demonstrated both the best and worst tendencies of the medium.

More from Issue 6

Issue 6 Mainstream

The hype cycle replaces aesthetic judgment with something closer to speculative investment in securities.

Issue 6 Mainstream

Canons in daily life just demarcate the books you can count on other people feeling comfortable about in conversation.

Issue 6 Mainstream

The new “how to read” books convey a sense that schools are no longer teaching people that skill.

Issue 6 Mainstream

Nowadays the NYRB is like a gnarled yew in the middle of a field where all the taller trees have died around it.

Issue 6 Mainstream

A lowered voting age might just be the catalyst to help release our stalled democratic, revolutionary energies.

Issue 6 Mainstream

Ultimately, the antipolitics of fear would deprive the person of his status as a political, even a social being.

Issue 6 Mainstream

You open the book. Who are these people? What’s going on? Where is it going?

Issue 6 Mainstream

Their rarefied verbal music will testify / that many did not have enough to eat.

Issue 6 Mainstream

By now the story of Wayne Lo has been well told, though he has not become a figure of American legend.

Issue 6 Mainstream

To free ourselves, we need to change the very operation of our desires, which the office has duped us into accepting.

Issue 6 Mainstream

Paul ordered, “Hit him for me,” and Russell punched Jacob smartly in the chest.

Issue 6 Mainstream

The fifty-year summer of Cody’s ended forever at 8 pm on July 10, 2006.

Issue 6 Mainstream

Humans can’t fly in Pamuk’s novels, and they don’t wrestle with their secularity in Marquez’s.

Issue 6 Mainstream

If Gawker Media, as Denton called his business, could no longer market itself as an upstart, then neither could its flagship site.

Issue 6 Mainstream

Our future, like our past, may be virtually free of oil, and global culture, and many of the social safeguards we enjoy.