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How to Not Sell Out

How to Not Sell Out

Three accounts of the same conversation

Soon after meeting P in 2011, I read his first book. The overall mood was utopian, yet pragmatic. Fable-like methods were used to depict bleak truths while avoiding finger-pointing: Once upon a time, farmers cleared a forest; the water table fell, so they dug a well, and it fell some more, et cetera. Red herrings abounded. One memorable paragraph lamented the extinction of Steller’s sea cow, a sluggish 30-foot behemoth that could have provided truly socialist quantities of meat and milk.

Border Crises

Border Crises

Five decades of ordinary bipartisan anti-immigrant politics

In May 2018, as Trump’s family separation policy became a major scandal, former Obama speechwriter and “Pod Save America” host Jon Favreau tweeted a photo of two migrant girls sleeping on the floor of a cage. “Look at these pictures. This is happening right now, and the only debate that matters is how we force our government to get these kids back to their families as fast as humanly possible.” As a number of his replies pointed out, the photos were actually from 2014, when his boss was still President. As with Biden’s response to the recent assault on Haitians, Favreau was fixated on the image.

Jesus, Etc.

Jesus, Etc.

On Benedetta

Within the first two minutes of Benedetta’s prologue—in which its namesake’s younger incarnation compels a bird to shit in the eye of a potential assailant—it’s clear that Verhoeven is in his comfort zone; if the movie doesn’t necessarily push beyond those confines, it confirms them as a uniquely spacious and fertile patch of cinematic terrain, where provocation and pleasure get intertwined on a molecular level and nearly every line cuts two ways, as a statement of principles and a sick joke.