Then the parents threatened a class-action lawsuit. The students occupied a university building. The full-time faculty began rumbles about a vote of no confidence against the president. They had nowhere left to go.
A drama is being played out in these lines, and I suspect that Eliot is thinking of another text as he recasts the latter’s drama in his own terms. The text is the Bhagavad Gita, which I had read at the age of 17 or 18 in Juan Mascaró’s translation but forgotten by the time I met Gay Clifford. The Gita’s paradoxical thesis about “detached action”—a kind of work that is undertaken for its own sake.
For a long time I considered myself lacking in something essential to the identification of my core self, an English-only, foreign-sounding Igbo person. I wondered what it would mean to rectify that.