I open my eyes. The Colonel stares back at me like a buck’s head mounted on the wall. An abstract painting, blood streams from the old man’s throat down onto Parvin’s Che Guevara poster and over the star on Che’s forehead, where it gets lost in the black shadows on his face to reemerge out of Che’s left nostril.

So, with my back leaning against the door, I mumbled: Do this, do that. What an algorithm! Let’s recap . . . Defend the citadel. Don’t hide. Don’t be afraid of your anger. Know when to indulge yourself. In other words, be a heretic in order to be more devout than the faithful. Follow the intuition of the ancestral bacteria in your stomach in order to keep track of the metaphors of the soul. But did I really understand?

Sometimes, I wonder if there is a spell at work when we write, one that causes what is said to be said without us. And indeed, that is perhaps what writing is, isn’t it: what is said there is said without us. If I could stop writing, I think maybe I would.

What’s that you’re saying now? Oh, it was your grandmother who didn’t know how to read, and you’ve been in the school system from preschool to college? I see, so you really don’t get what’s going on when people talk to you. Your grandmother, your sister, you, it’s all the same. Don’t you get it? You believe in assimilation, you only wore a headscarf for a couple of years when you were a teenager — that’s fine. But, I mean, we can’t just let go and leave what is French in your hands.

“I’m really out of sorts,” he apologized. “I just dropped off a lady, I took her all around, collecting money, but then I made her get out.” I didn’t understand what he was talking about, until he told me the story from the beginning. That’s when I understood that the lady had a clothing business, and her husband, a high school teacher, had been kidnapped. The lady needed to gather two hundred thousand pesos for her husband to be freed. “She wanted me to accompany her to pay the ransom,” the taxi driver told me.

The offices themselves were in perfect opposition to Alain Bauer’s clean-cut image. They were small and untidy, cluttered with crates of books and disordered folders. Every inch of the walls was covered in letters of mission, distinctions, diplomas, and, finally, a photo of Bauer and Nicolas Sarkozy, then minister of the interior. Sarkozy appears as small and nervous as Bauer does strong and cold. The snapshot had the best spot in the office, the most valuable location, where the whole team could admire it several times a day: above the photocopier.

I gave anyone who found fault with the opinions of Pope Ratzinger a mouthful, and turned up my nose if anyone made dirty jokes; in short I was totally committed, in my own way, to becoming a saint.

In the late ’90s, when I moved to the city of Monterrey, people made jokes about my origins: surely my father carried a gun, surely I was coarse and crude—I was from a border town. In turn I was certain that Monterrey, that industrial metropolis where I went to pursue my studies, was perfectly safe. Nothing would scare me away from there.