Essays

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Art for Issue 52
In the Wages for Housework Archives

Issue 52

Emily Callaci

In the Wages for Housework Archives

I understand that Betty Friedan is starting a bank

The feminists got headaches and worked so relentlessly that they forgot to eat. They smoked too much and made half-hearted attempts to quit. They sent each other presents — articles of clothing, a copy of the latest pamphlet from the Radicalesbians. They slept with disappointing men and mused about bad sex under capitalism. They expressed adoration for one another. They earnestly poured their hearts into writing and recording songs about housework. They organized community meetings with the mothers of schoolkids and then got bored with the mundane things the mothers wanted.

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Art for Issue 52
The Second-Term Aesthetic

Issue 52

Dushko Petrovich Córdova

The Second-Term Aesthetic

Have you ever really looked at Trump’s hands?

So, in the cramped airplane’s limited sightlines, I looked for clues about whether these were just regular Midwestern dads, like me, flying for work, or whether they were regular Midwestern dads, flying for work, to terrorize and disappear people. How would I know the difference?

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Art for Issue 50
Creature of the Late Afternoon

Issue 50

E. Tammy Kim

Creature of the Late Afternoon

Three generations: dead, old, and middle-aged

“Don’t write about me. Write about Korea, about the issues,” Mom has told me multiple times. Dad: “You seem to write about our family when you run out of topics.” I am embarrassed by memoir and simultaneously drawn to the form. I am always reading books by sons and daughters. 

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