Three Poems

Combinations are endless, but materials are scarce.

Meaning's collapse / is your strong point

A woodcut print of an abstract composition: against a tan background, an irregular white shape on top of a dark turquoise one, both overlaid by narrow strips of multiple colors.
Yoshisuke Funasaka, My space and my dimension - M543. 2004, woodcut, 59 x 56 cm. (Via Library of Congress)

Nonetheless

1.

“Nonetheless”
is three words

smushed together
as if trying to shrink away

to less than nothing—
to a singularity—

and then rebound.

 

2.

Among cosmologies
is there one

where a god
slaps down a universe

like anyone
playing Solitaire,

waiting for something,
anything

to happen?

Combinations are endless,
but materials are scarce.

 

3.

Nonetheless to know
some few,

each singular,
and whom I’ll soon forget

was “worth it all,”
I want to say

defiantly
as if I’d made a bet.


Blurb

While your last book
connected things
resonantly, your new book
splits them critically.

This gives us pause
in a bright flash,
making your book
necessary reading.

Meaning’s collapse
is your strong point.
All point particles
throb, you claim.

Fans may appreciate the way
pain, too, is a wave.


Extant

1.

Under the wine and pill,
a dim squiggle
of discontent
still extant
in the depths,

tail lashing.

 

2.

You see another old person
studying the backs of their hands
and know
they too are stunned
by the steep ravines
between bony ridges.

 

3.

To the aliens
who arrive in the future,
scouring the earth
for iridium and copper,
I say, “Check out the clouds!”
some look like extinct animals,
others look like commas
hung on a clothes-line.


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