Erik Baker

The New Deal is the ultimate horizon of Frank’s political imagination. In the 1930s, Frank argues, the Great Depression finally forced the American ruling class to rethink its unabashed elitism, leading inevitably to the rediscovery of the virtues of the populist tradition. The New Deal was at its heart, then, a cultural and rhetorical phenomenon with downstream economic consequences. He devotes orders of magnitude more attention and detail to poets like Carl Sandburg (whose epic The People, Yes gives the book its title), filmmakers like Orson Welles, and the oratory of FDR at his most fire-breathing than to the substantive economic policy of the President and his postwar successors. Frank even quotes, approvingly, labor secretary Frances Perkins’ remark that the New Deal was “basically an attitude.”