Communism!
Lately I've read, as you probably did too, about the profits gained by Wall Street firms through "flash trades" executed on the basis of information received thirty milliseconds before being shown to traders generally. There is also a lot about Twitter in the news: its hacking by the enemies of a Georgian professor, its possible use by NFL players during games. Something I did not learn from the newspaper—I had to be told by a friend—was that the Marxist political scientist Giovanni Arrighi had died, on June 18 of this year. There was no obituary in the Times, any more than there had ever been reviews of Arrighi's books while he lived. Read More
As the rest of the speakers greeted each other on stage with warm
effusions and European pecks on the cheek, literary critic Michael
Hardt, the sole American-born speaker at the London conference, stood
apart from the crowd. With folded arms, he gazed out not just into but
somehow beyond the audience of the packed lecture hall.
Hardt's
behavior seemed to be a defensive performance of self-sufficiency, as
if to pre-empt his inevitable failure to fit in with the rest of the
"glittering array of Continental academic rockstars," as Terry Eagleton
put it, that had assembled that weekend for the conference titled "On
the Idea of Communism." Nearly the entire emerging canon of (mostly
male) contemporary Continental philosophers—including Alain Badiou,
Slavoj Žižek, Jacques Rancière, Eagleton, and Antonio Negri, Hardt's
mentor and collaborator—as well as their translators and champions in
the English-language academy and a few other European notables less
well known outside the Continent joined Hardt at the conference.
Hardt's reputation has always been doubled by a secret tendency to
diminutivize him in relation to Negri—his more famous (or notorious),
frequently jailed co-author on Empire and Multitude—and it was hard not
to regard Hardt in this light when one saw him onstage next to the old
masters. Yet he seemed even more out of place among the rest the other
scholars who, Eagleton quipped, had "married in" to the elite circles
of Continental philosophy, a group that included the two Badiou
scholars—Bruno Bosteels and Peter Hallward—who joined Hardt in the
first panel of the conference.
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Like many academics, I attend a lot of conferences. When you're first starting out, there's a certain glamor to these affairs. In a line of work in which infantilization rules—imagine yourself as a 40-year old graduate student anticipating your first good paying job, while your college friends have two kids and a summer house on the shore—traveling on planes to other cities and staying in hotel rooms on a university department's dime can feel very adult indeed.
Eventually the excitement fades. After a few trips on Southwest, a few nights spent sharing hotel bars with salesmen from Buffalo, and one or one hundred panels on Elizabeth Bowen or L=A=N=G=U=A=G=E poetry, the luster begins to dull. If you are the sort of academic who tries to make his or her work something more than scholarship—something that bears directly on political life—you are bound, usually quite quickly, to encounter a fundamental conundrum. So we can quote Milton on the freedom to publish, and talk about the effects of late capitalism on literary form. Our papers, we tell ourselves, are incisive critiques of the status quo. But how intimidated is the status quo by a rigorous Marxist analysis of Philip Larkin's "Whitsun Weddings" anyway? It doesn't help that Power, despite our repeated invitations, rarely shows up at events like "Rethinking Modernities" to suffer our blistering remarks.
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