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The Alameda Theatre

For a few weeks every summer I escape the humidity of Brooklyn and go to Oakland, California. I stay on a street that runs off an iron drawbridge into the town of Alameda. Alameda sits on an island in the San Francisco Bay. To me, Alameda is an enchanted place. It is everything you want America to be but never is. When I retire, I'd like to move there and run for mayor. 

Alameda is Spanish for "tree-lined avenue." The town's wide streets are also lined with Hawaiian barbecue joints and uncrowded cafés, shops that sell used furniture and bars with neon signs that open at 9 a.m. The streets end in shopping centers anchored by giant new supermarkets filled with brightly colored produce. The newest one, according to a circular I picked up, offers "personal watermelons," perfectly round watermelons a little smaller than a basketball. I think the phrase "personal watermelons" sums up California. It should be on the California license plate, the same way it says "Famous Potatoes" on license plates in Idaho.

Alameda also sits on a major fault line. It could be swallowed by the sea at any moment. There used to be a Coney Island there called Neptune Beach, where the popsicle and the sno-cone were invented, icy novelties as all-American as Nathan's hot dogs.

Alameda has a history with the movies. The film producer Robert Lippert was a native. He got his start as a movie theater projectionist there, then bought his own movie theater, then moved to Hollywood to produce cheap westerns. In the late 1940s and early 1950s he released Samuel Fuller's first films and introduced the cinema to the Garutso Balanced Lens, a split diopter apparatus invented to compete with 3D by heightening screen realism. It kept foreground and background in focus at the same time. Fans of Brian De Palma or Raúl Ruiz know the effect well. Read More

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I. Round one: Z Zegna

Like ants in a colony, the men and women in town for Fashion Week have thin black exoskeletons, specialized social functions and valuable cargo to transport. A swarm of these people has formed on a September afternoon in front of the West Village showroom where Z Zegna will exhibit its Spring-Summer 2009 collection. I don't know what Z Zegna is, apart from an Italian menswear line whose website has an alphabet theme. Words that begin with "S" scoot across the introduction page and fade into a photograph of a guy on a motorcycle—Seduction. Sporty. Style. A press release I downloaded opened with a paean to the expected letter Z: "The ultimate letter, the most distinguished of the alphabet." An invitation to the show is sandwiched between two candy bars in my purse, like a boarding pass. In terms of Fashion Week hierarchies, I get the feeling that Z Zegna is Greyhound to Zac Posen's Amtrak and Marc Jacobs's Concorde. Read More

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Many students at Pomona College had Dave Wallace as a professor. (He insisted we call him "Dave"; we always called him "DFW" when he wasn't around.) And many students also considered him a friend—even if being a friend meant dealing with his byzantine yet internally consistent and fair network of rules for social contact with the world. I came to think that this interface was necessary for him as a teacher, that it acted as a sort of membrane to let students in and keep critics and literary paparazzi out. In any case, I'm thankful he made this effort with my classmates and me. What follows here is exactly the sort of thing he hated. He couldn't stand being the center of attention. He'd found that even praise could be harmful, and so he'd brush it off as if it was beside the point, or as if he wasn't worth it. Of course he was worth it. But if a workshop got particularly warm and congratulatory, Dave would say, "Let's not sit around and give each other hand jobs." Read More

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Back in 2002 I had a running debate with a friend of mine on the subject of "dignity." She claimed that this was something I was excessively concerned about. She didn't think it was possible for people like us to be really dignified in the old (and possibly imaginary) way of prior generations and characters in classic novels. We were endlessly self-reflexive individuals who had been marked by dabbling in drugs and semiotics; the media world we inhabited made life feel squalid, disposable, and fearful; we could hear, when we opened our mouths, the culture industry's language and not always our own. We were trapped inside ourselves—and in there wasn't even a "self." More like an empty lot crisscrossed by gusts of addictive compulsion, and littered with cultural debris. The situation made you feel ashamed. It bankrupted concepts like "dignity." Read More

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If I had to play for one side or the other, and I had no other thoughts or feelings but the will to side with genius, I’d play for the Republicans. The GOP convention trumped the Democratic—because some intelligence there is, in their control room, who can conceive of mastery on the grandest scale; a moral monster, to be sure; a jinni of evil; a trafficker in political eschatology, unafraid to trespass on myths of the gravest consequence. Someone behind the scenes held the key and boldly turned it: someone foresaw that the means of hatching a McCain triumphant was to make of him a risen God. This was the burden of the Vice Presidential and Presidential addresses, and the galvanism of the last few days.
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How can Barack Obama, a man who only recently paid off his student loans and who lives a relatively modest life in Chicago's Hyde Park, a few blocks from one of America's poorest neighborhoods, be more "elitist" than John McCain, the son of an admiral (not to mention the husband of a beer heiress), or more "elitist" than Hillary and Bill Clinton, a couple whose joint earnings since 2000 top 100 million dollars? Yet the E-word, and the charge that Obama is out of touch with the experiences of white, blue-collar workers, first leveled against Obama by the Clintons during the primary race, still hang heavy over his otherwise charmed campaign.

These charges stick around not because of the working-class credentials or commitments of Obama's opponents, but because of a problem inherent in contemporary politics that neither party ever addresses, that highly educated professionals are the driving force, financially and politically, behind both major parties. The Democratic leadership particularly continues to present itself as the best hope for the working class, while sharing few economic interests and fewer cultural experiences (now rebranded as "values") with the people it claims to represent. Read More

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